Isorhythm (from the Greek for "the same rhythm") is a musical technique using a repeating rhythmic pattern, called a talea, in at least one voice part throughout a composition. Taleae are typically applied to one or more melodic patterns of pitches or colores, which may be of the same or a different length from the talea.

A logical outgrowth of the rhythmic modes (fixed patterns of triple rhythms) that governed most late medieval polyphony, isorhythm first appeared in 13th-century motets, primarily in cantus firmus or tenor parts but occasionally in other voices as well.

What is Isorhythm? Isorhythm is a compositional technique developed in the XIII century and in use up to the XV century. It involves repetitive use of rhythmic patterns (prefix iso of Greek origin means equal).

The meaning of ISORHYTHM is a single fixed rhythmic pattern typically long and complex that is reiterated throughout the whole of a sung voice part which is usually the tenor. How to use isorhythm in a sentence.

Aug 13, 2023 · Imagine you have a melody that is 17 notes long. This means there are 17 events that each have a pitch and a rhythm. In isorhythm, we separate the pitch, called the ‘color,’ and the rhythm, called the ‘talea.’ In effect, what isorhythm does …

Oct 21, 2020 · SCHOLARS TODAY generally agree that ‘isorhythm’ ought to mean what it says, a term describing segments of music literally exhibiting the ‘same rhythm’, duration for duration. This is the lesson of Margaret Bent's influential 2008 article ‘What is Isorhythm?’

Isorhythm (from the Greek for "the same rhythm") is a musical technique that arranges a fixed pattern of pitches with a repeating rhythmic pattern. It consists of an order of durations or rhythms, called a talea ("cutting", plural taleae), which is repeated within a tenor melody whose pitch content or series, called the color (repetition),…

Isorhythm (from the Greek Isos meaning “identical” or “equal” and rhythmos “rhythm"), is a 20th century term used to describe a compositional technique that employs periodic repetition or recurring rhythmic patterns, primarily in motets of the 14th and 15th centuries.

Modern scholars use the term isorhythm (“same-rhythm”) to denote the use of recurrent patterns or taleae, often quite long and cunningly constructed, that do not rely on traditional modal ordines.

isorhythm noun. A technique that arranges a fixed pattern of pitches with a repeating rhythmic pattern, used in some medieval motets and in more recent works. Etymology: coined in 1904 by composer Friedrich Ludwig (1895-1970).