Inspired by a throwaway remark by broadcaster Jonathan Ross “riding on the coattails of iconic films” to Jay Glennie, Coattail Publications was formed by Steve Wilkin and Jay Glennie.

Raging Bull the making of by Jay Glennie from Coattail Publications with unparalleled contributions from Robert De Niro, Martin Scorsese, Joe Pesci, Paul Schrader & Irwin Winkler. Jay Glennie has interviewed the cast and crew of Martin Scorsese’s iconic film Raging Bull, starring Robert De Niro, Joe Pesci and Cathy Moriarty.

A behind‐the‐scenes‐ look at the making of the Oscar winning film. ‘One Shot’ the making of The Deer Hunter is written by Jay Glennie, with unparalleled access to the Robert De Niro Archives. The large format book takes a comprehensive look at the landmark British film.

Performance is written by Jay Glennie, working closely with Performance producer Sandy Lieberson, who opened up his extensive archives. The large format book takes a comprehensive look at the landmark British film.

Mr De Niro being given his copy of One Shot - The Making of the Deer Hunter by author Jay Glennie

By Jay Glennie. 25. Celebrating the 25th Anniversary of this Iconic film " A lust for life " They (Coattails) redefine the word coffee-table book! - Danny Boyle. Exclusive in depth interviews with Cast & Crew. Never seen before pictures from behind the scenes

The Making of a Classic. By Jay Glennie. Numbered Limited Edition “ 50th anniversary?

Raging Bull the making of by Jay Glennie from Coattail Publications with unparalleled contributions from Robert De Niro, Martin Scorsese, Joe Pesci, Paul Schrader & Irwin Winkler. Jay Glennie has interviewed the cast and crew of Martin Scorsese’s iconic film Raging Bull, starring Robert De Niro, Joe Pesci and Cathy Moriarty.

‘One Shot’ the making of The Deer Hunter is written by Jay Glennie, with unparalleled access to the Robert De Niro Archives. The large format book takes a comprehensive look at the landmark British film.

By Jay Glennie ‘Taxi Driver is the fevered story of an outsider in New York—a man who can’t find any point of entry into human society.’ The opening sentence from Pauline Kael’s Taxi Driver review as seen in The New Yorker, February 2, 1976.