The Crowning of Saint Catherine is an oil-on-canvas painting by Peter Paul Rubens, now in the Toledo Museum of Art. It portrays Catherine of Alexandria, an early-4th-century martyr, being crowned by the infant Jesus, sitting on his mother's lap.

Pieter de Jode I (Flemish, 1570–1634) After Peter Paul Rubens (Flemish (active Italy, Antwerp, and England), 1577–1640)

Title: The Coronation of Saint Catherine by the Child; Creator: Pieter de Jode I|Peter Paul Rubens|Johannes Meyssens; Date Created: ca. 1600–34; Physical Dimensions: Sheet (Trimmed): 16 7/8 ×...

Johann Gerhard Huck (German, 1758–1811) , and Heinrich Theodor Joseph Bislinger (German, 1742–after 1793) After Marco Antonio Franceschini (Italian, 1648–1729)

Title: The Coronation of Saint Catherine by the Child. Artist: Pieter de Jode I (Netherlandish, Antwerp 1570–Antwerp 1634) Artist: After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp) Publisher: Johannes Meyssens (Flemish, Brussels 1612–1670 Antwerp) Date: ca. 1600–34. Medium: Engraving.

The Coronation of the Virgin is a painting by the Italian early Renaissance master Fra Angelico, executed around 1434–1435 in Fiesole . It is now in the Musée du Louvre of Paris, France. The artist executed another Coronation of the Virgin (c. 1432), now in the Uffizi in Florence.

During the coronation of Catherine, which took place on 7 May 1724 in the Assumption Cathedral of the Moscow Kremlin, Peter the Great laid the new imperial crown on her head. This crown substituted the Monomakh’s Cap used for coronations in the 15th-16th cc.

The Coronation of St Catherine; Christ as a child seated on the Virgin's lap and placing a crown on St Catherine's head, who is kneeling on a cushion in left foreground and holding palm leaves, St Apollonia standing at right holding tongs, St Margaret of Antioch at left holding a dragon on a lead, three putti above, another holding a bunch of ...

This painting, by prolific and eclectic artist Francesco Pagani who worked in the central and southern areas of the Marche in the first half of the 16th century, was commissioned by Grazio da Fano and Pierantonio Toma, the church’s guardian and auditor, in 1517 and entered the Brera after being confiscated by napoleon’s forces from the ...

This painting depicts Catherine of Alexandria, who before her martyrdom was mystically married to Christ by the Virgin Mary, a ceremony seen as an allegory of the pious soul’s spiritual betrothal to God.