The Arts Desk8h
Light of Passage, Royal Ballet review - Crystal Pite’s cosmic triptych powers back
Cry sorrow, sorrow, but let the good prevail”. The refrain of Aeschylus’s chorus near the start of the Oresteia is alive and ...
The Arts Desk23h
Hamlet, Royal Shakespeare Theatre - Luke Thallon triumphs as the state succumbs to storms
The date, projected behind the stage before a word is spoken, is a clue - 14th April 1912. “Why so specific?” was my first ...