Vancouver Opera ends its 65th season with Puccini’s perennial favourite Madama Butterfly, in an extended run of five partially double-cast performances. The show opened Saturday evening in the ...

Opera can tell small, intimate tales as well as fill the vast canvases of Aida or Boris Godunov, but the acoustics of the back rooms of pubs and the three-piece bands to accompany singers can ...

In conducting his first full-length opera in concert with the Minnesota Orchestra, music director Thomas Søndergård has pulled off a stunner, with fireworks singing from not only a terrific host ...

They did so masterfully last night, thanks above all to Royal Opera Conductor Laureate Antonio Pappano’s close relationship with four remarkable Wagnerian principals and Barrie Kosky’s dark, spare but ...

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There’s a reason Verdi’s “La traviata” is the most-performed opera in the world. The music is gorgeous and instantly recognizable, the plot and characters are interesting and the story is ...

Die Dreigroschenoper is an opera where the singing—the quality thereof, I mean, not the fact of the songs—doesn’t matter in the least. What does matter is the flair with which the lines are ...

For his new production at the Detroit Opera, Yuval Sharon, the company’s innovative artistic director, has riffed on the opera’s subtitle, “The School for Lovers.” Don Alfonso (Edward ...

And the entire building in Bradford has been used to stage the political clashes and near-riotous crowd scenes that surround the gradually unravelling relational tangle of the main characters, the ...

Opera Orlando artistic director Grant Preisser had a nifty idea: There are two shortish operas, both set in a town square in Sicily, both taking place in a single day and both dealing with love ...

Until April 15, one of the museum’s most beloved features- the Zeidler Dome- lights up with Edmonton Opera’s dazzling sold-out production, Aquarius: Songs of the Stars. The Zeidler Dome- a ...

By Zachary Woolfe The first sound in the Metropolitan Opera’s new production of “Salome” isn’t the wriggle of clarinet that begins Strauss’s score. It’s the tinkle of a music box ...