Alexei Ratmansky’s “Paquita” brings Marius Petipa’s 19th-century style to New York City Ballet through two lenses: his own ...
When I visited the Manhattan studio of the artist Allison Janae Hamilton recently, I was struck by the many family ...
Few stories have been so versatile for adaptation than Cinderella. There have been versions for children’s theater, pantomime ...
On display through December, "The Magis Sculpture Exhibition" adds 11 new pieces to Fordham's Lincoln Center sculpture garden ...
Florentina Holzinger, the daring Austrian choreographer, is back with “Tanz,” a rendering of ballet horror featuring the ...
Chappell Roan is constantly raising the bar for herself when it comes to red carpet looks, and we’re pleased to report that ...
Thus it was with great fanfare and symbolism that the National Ballet of China’s return to the Kennedy Center took place ...
The trombone ranks among a handful of instruments that sound most like the human voice—it represents the adults in “Peanuts,” after all. Cartoons aside, the trombone’s tenor range sits in a natural ...