If there was ever a time for the inevitable "Rach Three” (piano concerto, not symphony) in the composer’s 150th anniversary ...

The Velvet Underground first played before an audience on 11 December 1965. A year earlier, their two founder members Lou Reed and John Cale were beginning a period of schlepping around New York and ...

If audience rection is anything to go by, Kahchun Wong’s season-opening first concert officially in post as principal ...

The National’s new production of Coriolanus has to be one of the most handsome to appear on the Olivier stage. But it has ...

This autumn, the Philharmonia’s “Nordic Soundscapes” season promises music suffused with the epic vistas, and weather, of ...

In 2016, Amy Liptrot made a fine publishing debut with a memoir about her alcoholism, The Outrun. Now she has co-written a ...

Before Joe Rogan gained fame for his podcast The Joe Rogan Experience, he has been, variously, a comic,  presenter of goofball television shows and an analyst of UTC bouts. Now with  his Netflix ...

It’s hard not to review the Israeli occupation of Palestine when writing about The Teacher. The political context of this first feature by British-Palestinian director Farah Nabulsi, who also wrote ...

Ezra Collective were faced with a challenge. The quintet needed to follow up from their achievement in winning the Mercury ...

That phenomenal technique in trills, runs and top notes remained, but it’s surprising how soon the more heroic tone to the middle range emerged – in Weber’s “Ocean! Thou mighty monster” from Oberon, ...

Puccini elevated the operatic tearjerker to tragic status in three masterpieces: La bohème, Madama Butterfly and Suor Angelica, rivalling the other two in intensity despite its brevity. Its special ...

If you like a body-horror movie to retain a semblance of logic in its plot line, then The Substance – grotesque, gory and ...