I have seen my share of action movies, monster movies, and, to my chagrin, horror movies, but seldom have I seen a movie that treated the human body so callously, so coldly, or so cavalierly as Bong Joon-ho’s Mickey 17.

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Bong Joon Ho is the most famous Korean director in America. Whether his Korean or American films, he has one of the most impressive filmographies.

Inside how director Bong Joon Ho shot and created the creepers, icy planet Niflheim, spacecraft, and human printing.

Bong Joon-ho follows up his Oscar-winning success 'Parasite' with the sci-fi film Mickey 17, starring Robert Pattinson. Can it match his previous triumph?

The director Bong Joon Ho’s new movie, Mickey 17, at first seems like a major pivot from his previous one, 2019’s Parasite. After winning Best Picture at the Oscars for the domestic (if gonzo) Korean black comedy,

Multiple Robert Pattinsons, frequent tonal whiplash and some an alien planet full of "creepers" highlight the latest English-language film by Bong Joon-ho, the South Korean filmmaker behind 2019’s Oscar-winning “Parasite.

Of course Bong Joon Ho is an environmentalist. He recycles his own ideas."Mickey 17," a sloppy but enjoyable sci-fi comedy set in the year 2054, mashes together the monsterphobia of "The Host," the animal-rights activism of "Okja,

Mickey 17 is even more of a triumph after Warner Bros. reportedly made an alternate cut of the film to release instead of Bong Joon-ho's cut.