Note the print on the right of The Witch, a 15th-century painting that Catherine Martin learned about studying for an ...
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Exclusive: Nosferatu's cinematographer chats about his second Oscar nomination, working with Robert Eggers for nearly 20 years, and how they banished a vampire’s shadow.
I'm not talking about questionable choices on the aesthetic front ... not the least of which is that Maomao's background in the pleasure quarter has uniquely prepared her to deal with obstetric ...