In Capitalism: Slavery, Jacobs uses a Victorian stereograph (a double-photograph) of slaves picking cotton under the watchful eye of a white overseer as the source for this wrenching silent work.

A child accused. Everyone left to answer.

Slavery is a subject that has been tackled on screen many times before, most recently in Django Unchained, but comparing Tarantino's violent drama to this introspective slow burner is like ...