With a touch of flare, pun totally intended, Tokina has launched its Vista-C Prime T1.5 lenses, a new version of the Vista Prime lenses built to highlight rich flares. Designed for high-end ...

The OM System M.Zuiko Digital 17mm F1.8 II is a tiny lens with a big feature set, including snappy autofocus, IPX1 drip ...

The M.Zuiko 17mm F1.8 II doesn't quite make that grade but falls into a category of small primes that I like to describe as a ...

They’re each made from sturdy metal, with a matte finish that’s ... that looks truly cinematic. The lens flares are just beautiful, with horizontal bands of light as you’ll get from the ...

The Canon RF 28-70mm f/2.8 IS STM redresses the balance of trinity standard zooms, with a relatively compact, lightweight and affordable package.

You’ll get some spectacular flare when shooting towards the sun ... you might need a focusing helicoid adapter – this is a metal lens-like device that has no glass inside and extends to ...

The Wide Evo is a really good-looking camera. Despite being oversized (a necessary consequence of incorporating an Instax Wide format printer into its body), the Instax Wide Evo is stylish, with a ...

so by cinema-tography lens standards, they are indeed pretty compact and not especially heavy, although the all-metal and all-glass construction sees the 50mm T1.2 tested here tipping the scales ...

The Roka SR-1x sunglasses are the best choice for people who prefer shield-style shades, and the Rudy Project Rydon sunglasses are best for people who prefer the traditional double-lens style.

The OM System 25mm f/1.8 II updates a popular standard prime lens with enhanced coatings and durable construction for Micro ...