German Expressionist films are not exactly popular fodder for the contemporary remake machine. Most are silent and at least a century old, and almost all of them are the product of artists tapped ...

Thus the German myth's appearance in Blue Angel makes it seem an Expressionist film. But the weight of this material, the subject of the film, should not obscure our view of Sternberg's treatment ...

expressionist style. (Krauss remained successful in Germany during the Nazi years, while Veidt fled the country and found fame in England and Hollywood.) Like Cesare, the film has been credited with ...