depicting scenes from the life of Christ, provides a remarkable chance to see how Duccio balanced visual variety with a sense ...

Peter pivots to Christ with one hand raised as if in acceptance of the invitation, while Andrew's half-turned body and pensive expression betray a certain hesitancy. Duccio has painted the water ...

Andy Guérif adapts the Maestà of Duccio as a tableau vivant: the tale of the Christ’s Passion in twenty-six successive panels, from the arrival in Jerusalem to the road to Emmaus.